Well Now that I got that off of my chest here's some art I did like: Unfortuantely here is about the time my camera broke. So I'll do what I can.
I'll start with an interesting piece that can't be discribed by photo. This exhibit actually existed at both parts of the biennale, but the lady's full exhibit was at the Arsenale itself. He most fun piece which I hope to use to the best of my ability. She made millions of postcards that say Venezia on them or Venice and any of the sort you'd see on postcards here, but the images themselves were never actually of Venice. As a way of saying we all are a part of Venice. And it's being the city of water and lights, mostly water, each picture depicted a scene totally not venitian, but still included water. These postcards were also free for the taking. So if you would like one comment or email me: abalog@umail(dot)iu(dot)edu. period go where the (dot) is.
This piece was kind of strange until I read the artist statement. It was a room full of broken mirrors, all borken differently. The pieces themselves are a series of self-portraiture since that is commonly what the artist does, but the mirror itself is an every existing portrait device, the breaks act as the portraiture and an expression of self-loathing.
This piece was very unusual in nature and I think I'm still deciding how I feel about it, but conceptually it's an interesting idea. The artist wanted to forcefully intigrate new customs into an existing culture. So the artist created this made up tradition of blimps that fly over San Marco. It was advertised and executed fooling some tourists into believing it. (how I'll never know) These pictured are the models as a representation of the whole project. There was also a video of the acutal event playing.
This was a great interaction piece and I really enjoyed seeing it play forth. It was a small room contructed for a "make your own composition piece" where you could step in and re-arrange the pieces how ever you see fit. Along with it was a bench for you to sit and view your creation where there clues on how to evaluate the work you made.
What I love about this piece is how the subconcious is made immediately apparent making it less subconcious. Sitting and pondering that as people interact with it really made this piece fun. Especially watching tourist pick pieces to pick up and get a photo with. What does it really say about them?
You know me and interactive pieces. I would have taken more pictures. There were many of these, all different, but as I said, my camer died so I did the best I could. The whole of this board said "This is not the first hole my finger has been in (hole) Nor will it be the last."
There was another piece in a shed full of what seems like gymnast rings of varying hieghts (some foot from the ground some 7 feet) and there was one objective if you choose to accept: travel from one side to the other without touching the ground. It's difficult I made it like 7/8 of the way.
No comments:
Post a Comment